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American vocalizer, extra, songwriter

Michelle Phillips
Michelle Phillips 1966 press book headshot Dunhill.jpg

Phillips in 1966
Born

Holly Michelle Gilliam


(1944-06-04) June 4, 1944 (age 77)

Long Beach, California, U.South.
Occupation
  • Vocaliser
  • songwriter
  • actress
  • model
Years active 1965–present
Elevation five ft 7 in (1.70 grand)[i]
Spouse(s)

John Phillips

​

​

(chiliad. 1962; div. 1969)​

Dennis Hopper

​

​

(1000. 1970; div. 1970)​

Robert Burch

​

​

(m. 1978; div. 1979)​
Partner(s)
  • Grainger Hines (1981–1984)
  • Geoffrey Tozer (1987–1996)
  • Steven Zax (1999–2017; his death)
Children three, including Chynna Phillips
Musical career
Genres
  • Folk stone
  • psychedelic popular
  • Sunshine pop
Instruments Vocals, tambourine
Labels A&M
Associated acts The Mamas and the Papas

Musical creative person
Signature
Michelle Phillips signature.svg

Michelle Gilliam Phillips (born Holly Michelle Gilliam; June 4, 1944) is an American vocaliser, songwriter, actress, and model. She rose to fame equally a vocalist in the musical quartet the Mamas and the Papas in the mid-1960s. Her voice was described by Fourth dimension magazine as the "purest soprano in pop music."[two] She later established a successful career as an actress in picture show and television in the 1970s.

A native of Long Beach, California, she spent her early life in Los Angeles and United mexican states City, raised by her widowed father. While working as a model in San Francisco, she met and married John Phillips in 1962 and went on to co-found the vocal group the Mamas and the Papas in 1965. The ring rose to fame with their popular singles "California Dreamin'" and "Creeque Alley," both of which she co-wrote. They released five studio albums before their dissolution in 1970. With John Phillips, she gave birth to a daughter, singer Chynna Phillips.

Later on the breakdown of the Mamas and the Papas and her divorce from John Phillips, she transitioned into interim, appearing in a supporting part in The Last Pic (1971) before being cast as Billie Frechette in the critically acclaimed law-breaking biopic Dillinger (1973), for which she was nominated for a Golden Globe Award for Most Promising Newcomer. In 1974, she had atomic number 82 roles in 2 television receiver films: the crime feature The Death Squad, and the teen drama The California Child, in the latter of which she starred opposite Martin Sheen. She went on to announced in a number of films throughout the balance of the 1970s, including Ken Russell'due south Valentino (1977), playing Natacha Rambova, and the thriller Bloodline (1979). She released her merely solo album, Victim of Romance, in 1977.

Phillips's first film of the 1980s was the comedy The Man with Bogart's Face up (1980). The next twelvemonth she co-starred with Tom Skerritt in the nature-themed horror Roughshod Harvest (1981), followed by the television films Secrets of a Married man (1984) and The Covenant (1985). In 1987, she joined the serial Knots Landing, portraying Anne Matheson, the mother of Paige Matheson (portrayed by Nicollette Sheridan) until the series' 1993 conclusion.

She later had supporting roles in the comedy picture Permit It Ride (1989) and the psychological thriller Scissors (1991). Phillips appeared in independent films in the 2000s, with supporting parts in Jane White is Sick and Twisted (2002) and Kids in America (2005) and had recurring guest roles in the television series That's Life (2001–2002) and seventh Heaven (2001–2004). She criticised the Bush-league administration in the mid-2000s and has likewise advocated the legalization of recreational cannabis.

Life and career [edit]

1944–1964: Early on life [edit]

Phillips was built-in Holly Michelle Gilliam on June 4, 1944, in Long Beach, California, the second child of Joyce Leone (née Poole),[iii] [4] a Canadian-built-in auditor, and Gardner Burnett Gilliam,[5] a merchant mariner from San Diego.[v] [six] She had one older sister, Russell Ann.[half-dozen] [7] Phillips's paternal grandfather, Marcus Gilliam, was from Walla Walla, Washington,[8] and worked equally a miner and hotelier in Erie, British Columbia.[9] Gilliam County, Oregon, takes its proper name from her paternal ancestors.[nine] Her mother suffered heart bug stemming from a childhood bout with rheumatic fever, including subacute endocarditis,[x] and died of a related brain hemorrhage when Phillips was five years one-time.[11] Reflecting on her mother's illness, Phillips said: "They knew it was but a matter of fourth dimension ... She would prevarication on the couch in the evenings, listening as my father read to her. One night, afterwards my sister and I had been put to bed, my mother just raised her head, cruel unconscious on the couch, and that was it."[10]

Following his wife's death, Phillips'southward father, wanting a change of scenery, relocated the family to Buffalo, New York, where they lived for nine months while he worked as a bartender.[12] They afterward returned to California, settling in Pasadena.[xiii] In June 1951, two days after Phillips's 7th birthday, the family relocated again to Mexico Urban center, United mexican states, where her father had enrolled to written report sociology on the GI Neb at Mexico City College.[14] Phillips spent the following 6 years in Mexico, where she attended public schools and became fluent in Spanish.[15] Throughout her childhood, Spanish remained Phillips'southward primary written language, though she later learned to write in English language.[16] She resided with her father and sister in the Roma Sur district of Cuauhtémoc.[16] Phillips recalled that she and her sister's experiences living in a different culture "helped usa get over my mother's death, and instead of grieving, nosotros became very strong, independent, and free."[xvi]

At the age of 13, Phillips returned to the Us with her male parent and sis, settling again in Los Angeles.[11] In that location, she became a babyhood friend of Sue Lyon.[17] Phillips attended several high schools in Los Angeles, including Alexander Hamilton High School[18] and Marshall High School.[19] While a student, Phillips played several sports and studied piano, guitar, and cello.[xi] During her sophomore year, later being defenseless skipping classes and subsequently forging absence permission slips, Phillips was expelled from Marshall High School[twenty] and transferred to Eagle Rock High School.[20]

In mid-1961, at age 17, Phillips relocated to San Francisco to live with her friend Tamar Hodel and began working as a model.[21] She appeared in a billboard advertisement for Lucky Lager beer and in impress ads for Cole brand bathing suits.[22] Phillips quickly became immersed in San Francisco's countercultural music scene and nightlife, recalling: "Tamar and I loved going out and showing off. We had a friend, Eddie, Tamar's barber, who was a flaming homosexual and proud of information technology. Remember that this was early for gays to be obvious. Eddie was the first I knew and loved who was blatant. He loved to do our hair and make my face up and apparel me ... We didn't ever accept a lot of money, but I only one time went to bed hungry."[23] At a club in San Francisco in July 1961, she met John Phillips while he was touring California with his band the Journeymen, and the two began a whirlwind romance.[24] He divorced his first wife and married Michelle on December 31, 1962, when she was eighteen years quondam.[25]

1965–1969: The Mamas and the Papas [edit]

Phillips performing with the Mamas & the Papas, circa 1966

The Phillips newlyweds relocated to New York City, where they began writing songs together[21] and formed the Mamas and the Papas in 1965.[26] Michelle co-wrote some of the ring's hits, including "California Dreamin'", which appears on the group's debut album, If You Tin Believe Your Optics and Ears (1966).

Recording of the Mamas and the Papas' 2d anthology, titled The Mamas and the Papas (1966) was interrupted when Michelle Phillips'southward matter with Gene Clark of the Byrds was revealed.[27] [28] An affair the previous year betwixt Phillips and bandmate Denny Doherty[29] had been forgiven; Doherty and John Phillips had reconciled and ostensibly written "I Saw Her Again" (1966) nigh the episode,[thirty] [31] although they subsequently disagreed about how much Doherty had contributed to the song.[32] This time, John Phillips was adamant to burn his wife.[33] Later on consulting their attorney and record label, John Phillips, Elliot and Doherty served Michelle Phillips with a letter expelling her from the grouping on June 4, 1966.[34] However, she was rehired on August 23 after the remaining ring members concluded that her replacement, Jill Gibson,[35] lacked her predecessor'due south "stage charisma and grittier border".[36] [37] After Phillips's reinstatement, the band embarked on a brief tour of the East Coast, playing a series of precarious shows in Washington, D.C., Baltimore, Maryland, and at Fordham University in New York Urban center.[38]

Later on returning to California and settling in Los Angeles, the group recorded their third anthology, The Mamas & The Papas Deliver (1967). In June 1967, Phillips performed with the group at the Monterey Popular Festival in Monterey, California, an event organized by John Phillips and Lou Adler.[39] The festival also featured other prominent California-based counterculture musicians and psychedelic rock acts, including Jefferson Airplane, Big Brother and the Property Company (featuring Janis Joplin) and Jimi Hendrix. Recounting the experience, Phillips said: "[It was like] a Renaissance Fair. It was convenient for the artists and the audience. Practically anybody had a seat, and if non, people were lining up against the fence, and they could see and hear. Or people were sitting outside, you could hear information technology outside, too ... It was lovely."[xl]

In Baronial 1967, the band played what would be their terminal live performance at the Hollywood Basin.[41] Phillips would keep to tape a fourth and terminal album with the ring, The Papas & The Mamas (1968), before going on a hiatus. In February 1968, she gave nativity to a daughter, Chynna Phillips, who afterward became a vocalist with the 1990s pop trio Wilson Phillips.[42] Michelle and John, whose marriage was declining at the time, filed for divorce in a Los Angeles County court in May 1969.[43] The Mamas and the Papas officially disbanded in 1971 before the release of their final anthology, People Like Us, which was recorded to fulfill contract obligations with their record label.[44]

1970–1976: Transition to interim [edit]

In 1969, while still a member of the Mamas and the Papas, Phillips acted in Gram Parsons's scientific discipline fiction pic Saturation 70 aslope Nudie Cohn, Anita Pallenberg and Julian Jones, the five-yr-old son of Rolling Stones guitarist Brian Jones.[45] The film was never finished, and became a lost film.[45] The following year, subsequently the breakup of the Mamas and the Papas, she enrolled in acting classes in Los Angeles and has said that she had intended to start her acting career "from scratch", stating that the royalties from the ring'south records provided her a sustained income while she began to venture into film.[44] She studied acting with Peggy Feury.[46]

Phillips'south first motion-picture show role came in Dennis Hopper'southward film The Terminal Movie (1971), in a small-scale function; she and Hopper married on October 31, 1970,[47] before long after the production, but the union lasted only eight days.[48] Two years afterwards, she was cast in a lead role in the thriller movie Dillinger (1973) as John Dillinger's girlfriend, Billie Frechette. Phillips claimed she got bandage past pretending to be one-half Cherokee, like her graphic symbol.[49] The film was critically acclaimed, and Diverseness said of her performance: "Phillips, making her picture show bow after having been a member of the Mamas & the Papas singing group, scores heavily as Dillinger's girlfriend",[fifty] while the New York Times noted it as "mildly effective".[51] Phillips was nominated for a Golden Earth Award for Most Promising Newcomer for her performance.[52] Reflecting on the film, Phillips said: "I was and so lucky to have been surrounded by really nifty actors. Everybody in that picture show was a existent player: Warren Oates, Ben Johnson, Cloris Leachman, Richard Dreyfuss, Harry Dean Stanton. It was just a wonderful, wonderful experience for me and I had so much back up and and so much help and so much encouragement. That was really my showtime movie. Dennis' picture show [The Terminal Movie] was a lot of improvisation and craziness."[53] Phillips remained a lifelong friend of co-star Stanton.[54]

Phillips attending Cass Elliot'southward funeral, August 1974

That same year, Phillips recorded vocals as a cheerleader along with Darlene Love for the Cheech & Chong single Basketball Jones, which peaked at No xv on the Billboard singles chart. In 1974, she was featured in the action-horror television film The California Kid reverse Martin Sheen. She had a cameo appearance in a party scene with then-boyfriend Warren Beatty in Shampoo (1975).[55] She would later state that she considered Beatty the love of her life.[56] In 1975, Phillips signed a solo recording contract with A&M Records and released a promo single, Aloha Louie, a song she wrote with ex-husband John Phillips. Phillips released her outset solo single in 1976, No Dear Today, which appeared on the Mother, Jugs & Speed movie soundtrack.

1977–1986: Solo album, film, and writing [edit]

In 1977, Phillips released her first and only solo album, Victim of Romance, produced past Jack Nitzsche for A&M Records.[57] Commenting on the record, she said: "I didn't exercise it earlier because I never felt secure enough as a singer. I'm good, but Cass was always ameliorate." Phillips also commented on her interest in its production, proverb that she had been involved in "every aspect, from mixing to putting together the package and cover myself".[48] Her first 2 solo singles from the anthology failed to brand the U.S. music charts. Concurrent with her solo album release, she sang backup vocals with former stepdaughter Mackenzie Phillips on Zulu Warrior for her ex-husband's second solo album, Pay Pack & Follow. Around the same time, she starred equally Rudolph Valentino'southward second married woman Natacha Rambova in Ken Russell'south film Valentino (1977). The film received mixed reviews, with Time Out London saying: "Structured equally a serial of flashbacks from Valentino's funeral to his early years in America, the starting time hour or so of this biopic is Russell's sanest and nigh controlled work in several years, despite its hollow cynicism."[58] The post-obit year, Phillips married radio executive Robert Burch,[59] though their marriage ended in 1979.[60]

In 1979, she appeared in the film accommodation of the Sidney Sheldon novel Bloodline (1979), a thriller starring Audrey Hepburn and Ben Gazzara. Released in June 1979, Bloodline received negative reviews from critics,[61] and Phillips's operation (along with those of James Stonemason and Maurice Ronet) was criticized by Variety as being "drab".[62] The same yr, she recorded the vocal Forever for the moving-picture show soundtrack of California Dreaming, a surf film unrelated to her erstwhile grouping despite its championship.

Phillips's other pic credits during this period include roles in the comedy The Man with Bogart'due south Face (1980),[63] the nature horror flick Savage Harvest (1981), about a family existence attacked by a pride of lions,[64] and American Anthem (1986). On boob tube, Phillips played the mermaid princess Nyah in 3 episodes of Fantasy Isle and Leora Van Treas in Mike Hammer: Murder Takes All (1983), starring Stacy Keach in the championship function.[65] She appeared in TV miniseries such as Aspen (1977) and The French Atlantic Matter (1979).

During this time, Phillips began dating role player Grainger Hines, with whom she gave nascency to a son, Austin Deveraux Hines, on March iii, 1982.[66] The following year, she joined the cast of Hotel every bit the concierge, the daughter of hotel possessor Victoria Cabot'south rival, who plants his daughter as a spy to further his aim of acquiring control of the St. Gregory. Phillips continued to appear in the serial until 1986.[67] She also had a leading role in the television horror motion-picture show The Covenant (1985) opposite Judy Parfitt and José Ferrer.[68] Her relationship with Hines ended in 1984.[69]

In 1986, Phillips wrote an autobiography, California Dreamin': The True Story of the Mamas and the Papas, released simply weeks after her quondam married man's autobiography, Papa John.[lxx] In it, she describes events such as her first meeting with Cass Elliot, winning 17 straight shoots at a crap tabular array in San Juan, Puerto Rico when the band was broke and could not afford the airfare back to the The states mainland, and how her writing credit on "California Dreamin'", which nonetheless nets her royalties, was "the best wake-up telephone call" she ever had; she was comatose in a New York hotel room when husband John Phillips woke her to help him finish the new song that he was writing.[71]

1987–1993: Knots Landing and motion picture [edit]

Beginning in 1987, Phillips starred on Knots Landing equally the constantly scheming Anne Matheson Sumner, the female parent of star Nicollette Sheridan'southward grapheme Paige Matheson, becoming a series regular in 1989.[46] Phillips continued to appear in the role until the series' 1993 conclusion.[67]

On Dec two, 1987, Phillips was arrested in Amarillo, Texas, for marijuana possession after being pulled over for speeding.[72] Phillips was a passenger in the motorcar with boyfriend Geoffrey Tozer, and the marijuana was discovered subsequently police searched the couple's vehicle.[72] Phillips was booked and released on $500 bail.[73] Also in late 1987, Phillips sang fill-in vocals on Belinda Carlisle'southward studio anthology Heaven on Globe, as well as its number-one unmarried "Sky Is a Identify on Earth".[74] The following year, she appeared in the Star Trek: The Next Generation first-season episode "We'll Ever Have Paris" as Jenice Manheim, wife of the scientist Paul Manheim.[75] Phillips and Tozer got engaged on February 29, 1988.[76] The couple took in Aron Wilson, a friend of her son Austin's, whom they legally adopted and raised.[77]

While starring on Knots Landing, Phillips continued to appear in films, including a supporting office in 1989's gambling-themed Permit Information technology Ride, co-starring with Richard Dreyfuss and Teri Garr, playing what Kevin Thomas of the Los Angeles Times characterized every bit a "deliciously blonde lodge tramp".[78] She had a supporting role in the thriller Scissors (1991), opposite Sharon Rock, playing the politician married woman of a therapist treating a mentally unstable woman (Stone).[79] Next, she had a supporting role as the wife of a onetime race-car driver in the action thriller Joshua Tree (1993), starring Dolph Lundgren.[67]

Following the 1993 determination of Knots Landing, Phillips starred in the short-lived drama series 2d Chances (1993–1994) opposite Connie Sellecca and Jennifer Lopez.[80] She too had the lead part in the 1993 telly thriller film Rubdown, playing a woman at the middle of a divorce plot in which her married man pays a masseur to accept an thing with her.[81] Denise McIver of Diversity panned the movie, writing: "The about disturbing thing nearly this 2-hour cable telefilm is its cynicism and the fact that none of the characters seemed redeemed, or at to the lowest degree changed, by their experiences. This is non to say it won't hold 1'southward interest, if only for the scenario, which delivers lots of blank backs, naked legs and superficially steamy sex scenes."[81] In tardily September 1993, Phillips and her friend Aloma Ichinose were robbed at gunpoint outside a restaurant in West Hollywood, California.[82]

1994–present: Television and film [edit]

Phillips played Laura Collins in the television drama movie No One Would Tell (1996),[83] and also supplied the voice of Raven, a television host, on Ralph Bakshi's HBO blithe series Spicy City (1997).[84] Beginning in 1997, she portrayed Abby Malone, mother of Valerie Malone (Tiffani Thiessen) on Fox's Beverly Hills, 90210,[85] and in the same year reprised her role of Anne Matheson in the television film Knots Landing: Back to the Cul-de-Sac.

Having split with Tozer in 1996, Phillips began dating plastic surgeon Steven Zax in 1999.[21] From 1999 to 2000, she had a guest role on the telly serial The Magnificent Seven, on which she played Maude Standish, the female parent of one of the Seven. After the millennium, Phillips continued to occasionally appear in films. She had a supporting role in the one-act Jane White Is Sick & Twisted (2002),[67] the controversial gay-themed drama Harry + Max (2004), and as a waitress in the independent comedy Unbeatable Harold (2006).[86] Between 2001 and 2004, Phillips also appeared on television receiver in a recurring function on The WB drama 7th Sky as Lily Jackson, sister of family matriarch Annie Jackson Camden (Catherine Hicks).[87]

In 2009, Phillips appeared at the almanac TV Land Awards for the 30th-year celebration of Knots Landing.[88] She besides appeared in a small-scale part in the Norwegian historical film Betrayal, which chronicles the German occupation of Kingdom of norway.[89]

In 2017, Zax, Phillips's long-term partner of eighteen years, died.[90] In 2019, Phillips appeared every bit an interview subject in Andrew Slater's Echo in the Canyon, a documentary on the Laurel Canyon music scene of the 1960s.[91]

Artistry [edit]

Phillips has been noted for her soprano vocals, and was one time deemed by Time as "the purest soprano" in pop music.[2] A 1977 Billboard review described Phillips'due south vocals as "both spirited and polish".[92] Despite having received critical acclaim for her singing, Phillips has admitted to being self-conscious nearly her voice, and stated that Cass Elliot encouraged her during their tenure in the Mamas & the Papas.[2] She recalled in 2004: "I've yet to meet another woman as strong, funny and fiercely independent as Cass was. She was very generous vocally, also. John would give united states of america these impossibly high parts to sing because he loved the sound of girls in the clouds. Cass would tell me, 'Just go for it, Mich! You know I'm gonna go far—come and join me!'"[ii]

Opinions [edit]

Michelle Phillips in 1967

During a 1991 interview with Arsenio Hall, Phillips advocated providing teenagers with a pragmatic education on drugs, specifically to distinguish psychedelics and marijuana from more than addictive substances such as cocaine and heroin.[93] Though she admitted to having used LSD and marijuana in her youth, Phillips maintained that she never had experimented with other drugs, crediting the education her father instilled in her and her sister on drugs and addiction.[93] She also spoke of her belief that parents should provide their children with condoms and other contraceptives once they are aware their children are sexually agile.[93] Phillips said that she raised her children this manner: "At that time, it wasn't fifty-fifty a question of AIDS. Information technology was a pregnancy issue, and venereal disease ... I raised [my children] in the aforementioned style that I was raised myself: When I was a young daughter, my father said, 'When you go sexually agile, allow me know, so that we tin can arrange for you not to get significant.' I was raised in a very pragmatic household, and I believe that if you know your children are sexually active, then you accept to try to protect them."[93]

In 2008, Phillips advocated legalization of marijuana, crediting it with helping her quit smoking cigarettes: "When I really, actually, really wanted a cigarette, I would take a puff of pot, and the cravings would become away," she said.[94]

Discography [edit]

The Mamas & the Papas

Solo

  • Victim of Romance (1977)

Solo singles

Single Twelvemonth Ref.
"Aloha Louie" 1975 [95]
"No Dearest Today" 1976 [95]
"Aching Kind" 1977 [96]
"In that location She Goes" 1978 [96]

Filmography [edit]

References [edit]

  1. ^ Maurice, Dick (Baronial xix, 1973). "Michelle Phillips talks Mamas & Papas, Dillinger (1973)". Click Americana . Retrieved March v, 2017.
  2. ^ a b c d The Independent Staff (October 30, 2004). "Michelle Phillips: Trip of a lifetime". The Independent. London. Archived from the original on November 4, 2018.
  3. ^ Riggs 2001, p. 248.
  4. ^ "Joyce Leone Gilliam, xviii January 1950". California Death Index, 1940-1997. Sacramento, California: Department of Health Services. closed access
  5. ^ a b "Gardner B Gilliam, 22 Mar 1996". U.s.a. Social Security Death Index. Alexandria, Virginia: U.Due south. Social Security Administration, Death Master File. closed access
  6. ^ a b K. Phillips 1986, p. two.
  7. ^ "Russell Ann Gilliam Obituary". Los Angeles Times. January 12, 2019. Archived from the original on February 5, 2022 – via Legacy.com.
  8. ^ Phillips Exeter Academy (1903). General Catalogue of Officers and Students, 1783-1903. News-letter Press. p. 143.
  9. ^ a b Nesteroff, Greg (March 23, 2014). "An Erie tale". The Nelson Star. Erie, British Columbia. Archived from the original on May 23, 2019. Retrieved May 23, 2019.
  10. ^ a b One thousand. Phillips 1986, p. iii.
  11. ^ a b c Windeler, Robert (Nov 14, 1977). "Victim of Romance". People. Vol. 8, no. 28. Archived from the original on February 5, 2020.
  12. ^ G. Phillips 1986, p. iv.
  13. ^ M. Phillips 1986, pp. 3–4.
  14. ^ M. Phillips 1986, pp. 3–v.
  15. ^ M. Phillips 1986, pp. v–6.
  16. ^ a b c M. Phillips 1986, p. five.
  17. ^ M. Phillips 1986, p. vii.
  18. ^ Collins, Bob; Collins, Sandy, eds. (August 2016). "Los Angeles Unified Schoolhouse Commune Alumni History and Hall of Fame Project" (PDF). Los Angeles Unified School Commune. LAUSD. p. xxix. Archived from the original (PDF) on November 4, 2018.
  19. ^ M. Phillips 1986, pp. 12–13.
  20. ^ a b M. Phillips 1986, p. 13.
  21. ^ a b c Weller, Sheila (November twenty, 2007). "California Dreamgirl". Vanity Fair. Archived from the original on December 17, 2015.
  22. ^ G. Phillips 1986, pp. 15, 81.
  23. ^ Thousand. Phillips 1986, pp. xiv–15.
  24. ^ M. Phillips 1986, pp. 16–18.
  25. ^ "California Divorce Index, 1966–1984," database, FamilySearch (May 15, 2014), Holly One thousand Gilliam and John E Phillips, May 1969; from "California Divorce Alphabetize, 196–1984," database and images, Beginnings (http://www.beginnings.com : 2007); citing Los Angeles City, California, Health Statistics, California Section of Health Services, Sacramento.
  26. ^ Decker, Ed. Mamas and the Papas. In Contemporary Musicians Vol. 21 (Detroit: Gale Research, 1998), p. 147.
  27. ^ M. Phillips 1986, pp. 84–87.
  28. ^ J. Phillips 1986, pp. 140–48.
  29. ^ Greenwald 2002, p. 91.
  30. ^ G. Phillips 1986, pp. fourscore–81.
  31. ^ J. Phillips 1986, p. 136.
  32. ^ Doherty said, "I wrote the tune. John wrote the lyric." Meet Dream a Fiddling Dream (the Nearly True Story of the Mamas and the Papas), Denny Doherty website. Retrieved May two, 2013. Phillips said he wrote everything, but gave him a co-composer credit because Doherty had inspired the song. See John Phillips, Papa John, p. 132.
  33. ^ J. Phillips 1986, pp. pp. 147-148.
  34. ^ One thousand. Phillips 1986, p. 87.
  35. ^ Greenwald 2002, p. 140.
  36. ^ J. Phillips 1986, p. 203.
  37. ^ "Jill Gibson's Vocals on the 2nd Mamas and Papas LP", Steve Hoffman Music Forums. Retrieved May three, 2013.
  38. ^ Greenwald 2002, pp. 159, 165–67.
  39. ^ McDonough, Kevin (June 16, 2007). "'Monterey twoscore' recalls 1967 L.A. music scene". South Declension Today . Retrieved July 14, 2016.
  40. ^ Greenwald 2002, p. 203.
  41. ^ Greenwald 2002, p. 214.
  42. ^ Wenning 1991, p. 212.
  43. ^ M. Phillips 1986, pp. 30–32.
  44. ^ a b Phillips, Michelle (April 19, 2011). "Michelle PHILLIPS". InnerVIEWS with Ernie Manouse (Interview). Interviewed by Manuse, Ernie. Houston Public Media. Archived from the original on 2021-12-12. Retrieved July 9, 2016 – via YouTube.
  45. ^ a b Campion, Chris (September v, 2014). "Saturation 70: the Gram Parsons UFO motion picture that never flew". The Guardian. London. Archived from the original on Dec 30, 2015.
  46. ^ a b Buck, Jerry (March 29, 1991). "'Knots Landing' Role a Alert to Dependent, Unworldly Women". News & Record. Greensboro, N Carolina. Archived from the original on April 25, 2019.
  47. ^ Biskind 1998, p. 133.
  48. ^ a b Crowe, Cameron (February 23, 1978). "Michelle Phillips' globe turns". Rolling Stone. No. 59.
  49. ^ Mann, R. (April 2, 1978). "Michelle phillips: She's got high hopes". Los Angeles Times. ProQuest 158579408.
  50. ^ "Review: 'Dillinger'". Multifariousness. December 31, 1972. Archived from the original on Baronial xxx, 2017.
  51. ^ "Dillinger (1973)". The New York Times Film Reviews. 1975. p. 87. ISBN9780405066788.
  52. ^ "Michelle Phillips". Gilded Globe Awards. Hollywood Foreign Printing Association. Retrieved July 12, 2016.
  53. ^ Ragogna, Mike (August 25, 2016). "Chats with Esperanza Spalding, Michelle Phillips, Lee Greenwood, Ian Thomas and Immature Gun Silver Fox'south Shawn Lee, Plus Joey Alexander, Elayna, Ultan Conlon, 1000 Ross Perkins, Morgan'due south Road, Deerheart, Dave McGraw & Mandy Fer, Unconscious Disturbance, I The Mighty, and The Junior League Exclusives". The Huffington Post . Retrieved March eleven, 2017.
  54. ^ Copley, Richard (June 12, 2014). "Harry Dean Stanton Fest: Michelle Phillips' power of persuasion brings thespian back to former Kentucky home". Kentucky.com. Archived from the original on May 21, 2019. Retrieved May 21, 2019.
  55. ^ Biskind 1998, p. 145.
  56. ^ "Mamas & Papas star says Warren Beatty her peachy love". Reuters. November eight, 2007. Archived from the original on June 28, 2018.
  57. ^ Crowe, Cameron (January 27, 1978). "Ex-Mama Michelle sings again". Wilmington Morning Star. p. 2B.
  58. ^ T.R. "Valentino, directed by Ken Russell". Fourth dimension Out. London. Retrieved July 12, 2016.
  59. ^ Beck, Marilyn (December 21, 1985). "Michelle Phillips Reveals What She Left Out of Book". Sunday-Sentinel. Deerfield Beach, Florida. ISSN 0744-8139. Archived from the original on November 4, 2018.
  60. ^ Jerome, Jim (May twenty, 1991). "Getting it All Together". People. Vol. 35, no. 19. Archived from the original on October 21, 2017.
  61. ^ "Sidney Sheldon's 'Bloodline'". Rotten Tomatoes . Retrieved July 9, 2016.
  62. ^ "Review: 'Bloodline'". Variety. December 31, 1978. Retrieved July 12, 2016.
  63. ^ "The Man with Bogart'south Face". Variety. Dec 31, 1979. Archived from the original on February 6, 2020.
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Sources [edit]

  • Biskind, Peter (1998). Easy Riders Raging Bulls: How the Sex-Drugs-And Rock 'N Roll Generation Relieve. New York: Simon & Schuster. ISBN978-0-68485-708-iv.
  • Collins, Max Alan; Traylor, James L. (2018). Mickey Spillane on Screen: A Complete Study of the Goggle box and Film Adaptations. Jefferson, Northward Carolina: McFarland. ISBN978-0-786-49242-eight.
  • Rees, Dayfdd; Crampton, Luke (1999). Rock Stars Encyclopedia (2nd ed.). New York: D.Chiliad. Pub. ISBN978-0-789-44613-viii.
  • Greenwald, Matthew (2002). Go Where You lot Wanna Get: The Oral History of the Mamas & the Papas. Cooper Square Press. ISBN978-0-815-41204-5.
  • International Television & Video Annual. Vol. 49. New York: Quigley Publishing Company. 2004. ISSN 0895-2213.
  • Julius, Marshall (1996). Activeness!: The Action Movie A–Z. Bloomington, Indiana: Indiana University Press. ISBN978-0-253-21091-3.
  • Larkin, Colin (2006). The Encyclopedia of Popular Music. Vol. 10. Oxford: Oxford University Printing. ISBN978-0-195-31373-four.
  • Marill, Alvin H. (1980). Movies Fabricated for Tv: The Telefeature and the Mini-series, 1964–1979. New York: Da Capo Printing. ISBN978-0-306-80156-3.
  • Marill, Alvin H. (1987). Movies Made for Television: The Telefeature and the Mini-series, 1964–1986 (4th ed.). New York: New York Zoetrope. ISBN978-0-918-43280-iii.
  • Phillips, John (1986). Papa John: An Autobiography (of the Mamas and the Papas): A Music Legend's Shattering Journey Through Sexual practice, Drugs, and Rock 'n' Whorl . Garden City, New York: Doubleday. ISBN978-0-38523-120-six.
  • Phillips, Michelle (1986). California Dreamin' . New York: Warner Books. ISBN978-0-44651-308-1.
  • Riggs, Thomas, ed. (2001). Contemporary Theatre, Film, and Television. Detroit, Michigan: Gale Inquiry Co. ISBN978-0-787-65109-ane.
  • Strodder, Chris (2000). Swingin' Chicks of the '60s: A Tribute to 101 of the Decade's Defining Women. San Rafael, California: Cedco Pub. ISBN978-0-768-32232-three.
  • Wenning, Elizabeth (1991). Contemporary Musicians. Vol. 5. Detroit, Michigan: Gale. ISBN978-i-414-49777-8.

External links [edit]

  • Michelle Phillips at AllMusic
  • Michelle Phillips at the American Film Constitute Catalog
  • Michelle Phillips at Billboard
  • Michelle Phillips at IMDb
  • Michelle Phillips at the Internet Archive

normanshin1952.blogspot.com

Source: https://en.wikipedia.org/wiki/Michelle_Phillips

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